Initiaton and Omission
Chapter 1 US Literature and American Studies Hemingway, Salinger, and the Satirical Legacy of T.C. Boyle Iconic Baywatch Tower | SLS in OZ | Credit phb Introduction The American short story tradition has long been shaped by the theme of initiation—moments of moral, emotional, or existential awakening that mark the transition from innocence to experience. Among the most influential voices in this tradition are Ernest Hemingway and J.D. Salinger, whose divergent narrative strategies have defined two poles of literary minimalism and psychological introspection. This essay explores how Hemingway’s Iceberg Theory and Salinger’s interior monologue construct distinct models of initiation, and how T.C. Boyle, writing in their wake, synthesizes and subverts these approaches through satirical realism. The result is a dynamic lineage that charts the evolution of American narrative form and thematic preoccupation from modernist restraint to postmodern critique. Hemingway: The Iceberg Theory and the Stoic Initiation Ernest Hemingway’s contribution to literary modernism is inseparable from his Iceberg Theory, which posits that the deeper meaning of a story should remain implicit, submerged beneath the surface of sparse prose. In stories such as "Indian Camp," "The Killers," and "Soldier’s Home," Hemingway crafts initiation narratives in which young protagonists confront death, violence, or disillusionment. These experiences are rendered with minimal exposition, relying on dialogue and action to suggest psychological transformation. The absence of overt emotional commentary forces readers to engage in interpretive labor, mirroring…