“ On the 28th of August, 1749, at mid-day, as the clock struck twelve,
I came into the world, at Frankfurt on the Main. My horoscope was
propitious: The sun stood in the sign of the Virgin, and had culminated
for the day; Jupiter and Venus looked on him with a friendly eye,
and Mercury not adversely; while Saturn and Mars kept themselves
indifferent; the Moon alone, just full, exerted the power of her
reflection all the more, as she had then reached her planetary hour.
She opposed herself, therefore, to my birth, which could not be
accomplished until this hour was passed.”
These lines were written by the German Shakespeare: Johann Wolfgang Goethe, born in Frankfurt, Hesse, Germany. He was only 22 years old, when he had already become famous all over Europe for his first novel The Sorrows of Young Werther.
In his later life Goethe became so known and famous all over Europe, that the small town of Weimar not far from Berlin became the secret capital of European Arts and Cultural discourse. Today The Goethe Haus and Schiller’s residence attract hundreds of thousands of visitors each year, and a week in Weimar can become one of your highlights when visiting Germany and Europe. I prefer to visit in May or June, to enjoy the warm spring days and long nights with the brilliant sunlight, the sun still shining until 9 pm and even longer. What a difference compared with the southern hemisphere …
My life became connected to this genius of German literature and culture automatically, because I was born exactly 200 years later: Even as a boy my parents loved to tell their story of coincidence to their friends, and they had even thought of naming me Johann Wolfgang, as my father’s name was Johann and the first born son in Northern Germany was to carry the father’s or grandfather’s first name, so was the tradition of the family living in the country. Luckily a befriended couple had a son some weeks before I was born, and as he was named Wolfgang, they decided on a different name for me, which was Peter and then followed my grandfather’s name Hanns as this was the rule of those days, where I was born: In the Land of the Horizons between the Baltic and the North Sea and Denmark and Hamburg. Truly Northern …
Throughout my life I followed Goethe’s phases and stations of his life and read what he had published 200 years before: When he became 30 years old and then 40 years old: What had he experienced and what had he thought and what had he written? What was life and society like those days?
How did he change when he reached the age of 50 years? What was traveling like those days and why did he travel to Italy leaving Weimar for two years? And why did he come back to this rather narrow life in this small town, not even a city like Frankfurt or Berlin or Munich?
Interesting that Goethe begins his autobiography with his horoscope and the constellation of the stars! When I worked in The Departement of Education in Brisbane (EQ) in the function of the German Language Adviser, I was necessarily cooperating with the Goethe-Institut based in Sydney, the German Cultural and Language Institut which may be seen as a branch of the German Foreign Office: After three years of service in Queensland, I was offered a follow up contract with the Goethe-Institut Munich, which lasted another four years. So finally — I felt — the Goethe stars constellation in the night sky had worked out very well for me …
When visiting the Goethe and the Schiller Homes in Weimar with my sister, I was fascinated how well organized and how informative these two museums have been prepared for the public. Do not miss going there and buy a few books in your language on Goethe and Schiller and their productive friendship.
More on Friedrich Schiller here …on britannica.com
More on Homo Ludens and Homo Faber …Novel written by Max Frisch.
Education and Passion …via Youtube Ken Robinson — listen to this story!
I know that I don’t know, because I have not thought about it …
To be born is a miracle … and you won’t be here for long …
Life is about making decisions and choose what you become (Carl Jung)
Goethe was an All Round Genius and a very active person: His house in Weimar attracted many visitors, and sometimes he just walked away when bored and continued his work … while his visitors drank his red wine!
About one third of his income went into wine … those days!
Read about his Theory Of Colours here … Die Farbenlehre nach Goethe (in German).
Theory of Colours / Wikipedia
More via Goodreads here …
Via Gutenberg.org some of his books are available in English as well. His autobiography is available in English for free!
Read more about Goethe here on britannica.com
Written by Nicholas Boyle, University of Cambridge
And the Wikipedia Article is very informative as well!
Ruediger Safranski has studied the lives of Goethe and Schiller and their time for years and published the best biography I know about this genius and his time: His book is available in many languages, and on Youtube there are a few interviews with the philosopher and author Safranski, in German, highly recommended. In 2014 he was awarded the Thomas Mann Prize.
More about the Goethe-Institut: What will the future hold?
How is Germany viewed by the world? Aussenblick.
The latest at the Goethe-Institut Munich
MY POST on Sun 05 June 2022
Mir immer auf den Tag genau 200 Jahre voraus, es macht mir eine besondere Freude, diesem deutschen Shakespeare zu folgen: Was hat ihn wann und warum beschaeftigt? Seine Lesegewohnheiten in der Herzogin Amalia Bibliothek, wo er wohl alle Bücher teilweise mehrfach gelesen hat, sie war fuer ihn wie eine Uni – Bibliothek. Und wie hat er es so lange ausgehalten in der Provinz in Weimar? Bis er dann nach Italien und Rom ging, wo er sich im hohen Alter natürlich verliebte …. Ein sehr spannender Mann mit einer unglaublichen Lebensgeschichte, der Weimar damals zum kulturellen Zentrum Europas machte …
Und die Freundschaft mit dem jüngeren Friedrich SCHILLER, einzigartig nachzulesen.
Wenn wieder in Deutschland, sind hoffentlich 2 oder 3 Tage Besuch in Weimar möglich – we shall see.
Die Herzogin Anna Amalia Bibliothek in Weimar ist eine öffentliche Archiv – und Forschungsbibliothek der deutschen Literatur- und Kulturgeschichte mit dem Schwerpunkt zwischen 1750 und 1850.
Goethe starb am 22. Maerz im Jahr 1832 durch einen Herzinfarkt.
Mehr hier …
The Goethe-Institut is a non-profit organization that promotes German language and culture worldwide. It was founded in 1951 and is named after the famous German writer Johann Wolfgang von Goethe.
The Goethe-Institut operates in more than 90 countries around the world and offers a wide range of programs and services related to German language and culture. Some of the key areas of focus include language courses and exams, cultural events and exchange programs, and the promotion of German literature and scholarship.
The Goethe-Institut website (www.goethe.de) offers a wealth of resources for learners of German and anyone interested in German culture. Some of the features of the website include:
- Language courses and exams: The Goethe-Institut offers a variety of German language courses for learners at different levels, as well as exams that test proficiency in the language.
- Cultural events and resources: The website provides information on cultural events and exhibitions related to Germany, as well as resources on topics such as German film, music, and literature.
- Online resources for learners: The website features a variety of online resources for learners of German, including grammar and vocabulary exercises, reading and listening comprehension exercises, and interactive language games.
- Teacher resources: The website provides resources for German language teachers, including lesson plans, teaching materials, and professional development opportunities.
The Goethe-Institut website and organization are valuable resources for anyone interested in learning more about the German language and culture, and for those looking to improve their proficiency in the German language.
Kostenlos Deutsch ueben (Goethe – Institut)
Podcasts weltweit (diverse Sprachen) via World Map (Goethe.de)
Read more about Hermann Hesse (On My Blog)
Read about Friedrich Schiller on my Blog
Urfaust
“Urfaust” is the earliest version of Goethe’s famous play “Faust,” written between 1772 and 1775. It was not published during Goethe’s lifetime and was only discovered after his death in 1832. Here is an outline of the main plot points of “Urfaust”:
Act I: Faust, a disillusioned scholar, laments the limits of human knowledge and contemplates suicide. He is visited by the devil, Mephistopheles, who offers him a deal: in exchange for his soul, Mephistopheles will serve Faust and fulfill his every desire.
Act II: Mephistopheles takes Faust on a series of adventures, including seducing a young woman named Gretchen. Faust becomes obsessed with Gretchen and begins to feel guilty about his actions.
Act III: Gretchen is imprisoned and sentenced to death for killing her newborn child. Faust tries to save her, but Mephistopheles tells him it’s too late. Gretchen dies and Faust is left alone with his despair.
The Plot
The plot of “Urfaust” is much simpler and more straightforward than the later version of “Faust,” which was heavily revised and expanded by Goethe over the course of several decades. However, it already contains many of the themes and motifs that would come to define the story of Faust, including the struggle between knowledge and faith, the dangers of ambition, and the temptation of the devil.
Read the Wikipedia Article
Nota Bene:
Ein neues Buch, die Biographie von Christoph Martin Wieland, einer der wichtigsten Schriftsteller des 18. Jahrhunderts und Wegbereiter der Weimarer Klassik: Jan Philipp Reemtsma leistet mit der ersten Biografie seit 70 Jahren eine literaturhistorische Großtat und verfolgt Wielands Spuren in Thüringen, wo er die Weichen für die moderne deutsche Literatur stellte. In hinreißender Art verdichtet Reemtsa dabei sein breites Wissen zu einem imposanten Buch … nicht nur fuer Germanisten!
(MDR Kultur Podcast).
More about the scholar Jan Philipp Reemtsma
Friendship
The friendship between Friedrich Schiller and Johann Wolfgang von Goethe, forged during their time in Weimar, stands as one of the most significant literary alliances in history. Their profound camaraderie, rooted in mutual respect and admiration, led to a collaborative partnership that greatly influenced German Classic Literature and left an indelible mark on World Literature.
The friendship between Friedrich Schiller and Johann Wolfgang von Goethe stands as a testament to the power of collaboration and intellectual exchange. Their shared The Schiller-Goethe alliance serves as a reminder of the transformative potential of friendship and the lasting influence it can have on artistic movements and cultural spheres.
Frauenbilder
Iphigenia is a remarkable character as both a woman and a sister and daughter. She embodies strength, resilience, and a deep sense of loyalty and responsibility towards her family.
As a woman, Iphigenia displays intelligence, compassion, and emotional depth. She is a deeply empathetic character, grappling with the traumas inflicted upon her family and yearning for connection and understanding. Iphigenia’s struggles highlight the challenges and constraints placed on women in ancient Greek society, where their roles were often confined to domestic duties and their agency limited. However, Iphigenia defies these expectations, demonstrating courage and determination in the face of adversity.
As a sister, Iphigenia exemplifies loyalty and devotion. Her reunion with her long-lost brother, Orestes, is a significant moment in her story. Despite the complexities of their family history and the burden of their past actions, Iphigenia embraces her role as a sister, seeking to protect and support Orestes. Her love for him transcends the tragedy that has befallen their family, and she becomes a source of comfort and guidance for him.
As a daughter, Iphigenia carries the weight of her parents’ actions and the consequences of their choices. She represents the hope for redemption and healing in the face of a legacy marred by violence and betrayal. Iphigenia’s journey involves coming to terms with her own identity as a daughter and finding a way to reconcile the conflicting emotions she holds for her parents.
Throughout her story, Iphigenia embodies the resilience and strength of a woman who navigates the complexities of familial relationships. She challenges societal expectations, displays unwavering loyalty, and seeks to find resolution and healing within her family. Iphigenia’s character serves as a testament to the enduring bonds of sisterhood and daughterhood, offering insight into the depths of love and forgiveness that can exist even in the midst of tragedy.
Goethehaus in Weimar (FAZ Fri 9 Jun 2023)
Frauenplan 1 ist die wohl bekannteste Anschrift deutscher Geistesgeschichte. Hier lebte Johann Wolfgang von Goethe fast fünfzig Jahre bis zu jenem 22. März 1832, als der Zweiundachtzigjährige kurz vor der Mittagsstunde im Sessel seines Schlafzimmers starb. Er hinterließ mehr als fünfzig Millionen geschriebene Zeichen – mit Feder und Tinte selbst zu Papier gebracht oder diktiert –, hatte vierzigtausend Kilometer zu Fuß, per Kutsche oder Pferd zurückgelegt, mehr Zeitgenossen kennengelernt, als die Stadt Weimar Einwohner hatte, und fast siebzehntausend Briefe an 1400 Empfänger verfasst.
Goethe hinterließ 2100 eigene Zeichnungen, 26.000 gesammelte Kunstobjekte und 23.000 Naturalien. Nicht zuletzt in seinem Wohnhaus setzte der Schriftsteller, Dramatiker, Naturforscher, Staatsbeamte, bildende Künstler, Kommunikator, Organisator, Inspirator und Förderer die Gegensätze seines Lebens ins Werk: Weltläufigkeit und lokale Verbundenheit, Sinnlichkeit und Intellektualität, höfische Etikette und unbürgerliche Liebe, emphatische Freundschaft, Unnahbarkeit.
Frauenplan 1 is probably the most famous address in German intellectual history. Johann Wolfgang von Goethe lived here for almost fifty years until 22 March 1832, when the eighty-two-year-old died in his bedroom armchair shortly before noon. He left behind more than fifty million written characters – put down on paper himself with pen and ink or dictated – had travelled forty thousand kilometres on foot, by carriage or on horseback, had met more contemporaries than the city of Weimar had inhabitants, and had written almost seventeen thousand letters to 1400 recipients.
Goethe left behind 2100 of his own drawings, 26,000 collected art objects and 23,000 natural objects. It was not least in his home that the writer, dramatist, naturalist, civil servant, visual artist, communicator, organiser, inspirer and promoter set the contrasts of his life to work: cosmopolitanism and local attachment, sensuality and intellectuality, courtly etiquette and unbourgeois love, emphatic friendship, aloofness.
Weimar and Schlegel and Wieland and Goethe
Daniel Kehlmann in der ZEIT über Goethe:
Man kann ja einiges gegen Goethe haben. Man kann seine vielen Gelegenheitsgedichte flach und oft devot finden, seine Briefe sind manchmal recht hölzern, und wem bei Wilhelm Meisters Wanderjahren nie langweilig ist, der muss mit überirdischer Geduld gesegnet sein. Und dann ist da diese für einen Erzähler regelrecht verhängnisvolle Sucht nach Harmonie. In seinen späteren Prosawerken treten eigentlich nur noch weise und freundliche Menschen auf, die gesetzte, kluge Gespräche führen und die zu gut sind, um je in echte Konflikte zu geraten – man würde ja gerne leben in dieser kühlen, eleganten Welt, aber will man wirklich über sie lesen?
Rezeption und wie sich die Zeiten ändern …. Wer heute Effi Briest beginnt zu lesen, der braucht wahrlich viel Geduld, und viel Zeit dazu!
Goethe – Institute weltweit und das Kafka Jahr 2024
Linked
The year 2024 marks the centenary of the death of the writer Franz Kafka, and it is being commemorated as the “Kafka Year 2024” in Germany and worldwide1. Here are some highlights:
- Franz Kafka’s works, which are part of the literary canon not only in Germany but also in German-speaking countries and worldwide, are being celebrated1.
- The Goethe-Institut and its partners worldwide are dedicating themselves to Franz Kafka in a variety of ways, whether as an author or as an illustrator, to his work and its reception1.
- In Ethiopia, the Goethe-Institut and the embassies of Austria, Switzerland, and the Czech Republic have joined forces to highlight Franz Kafka in a variety of ways in 20241.
- The year-round Kafka 2024 festival is being held, featuring an opening lecture, a book launch and reading, a comic biography exhibition, an illustration and comic workshop, and film screenings1.
This celebration of Kafka’s life and works is a testament to his enduring influence and the universal and timeless nature of his narrative prose1. It’s a great opportunity to delve deeper into Kafka’s works and their impact on literature and culture. 😊
More about the German Classic Writer Franz Kafka here soon …
Author and Blogger
Peter Hanns Bloecker
Profle
Contact
——-
There was a phenomenon known as “Werther Fever” in Germany and beyond. After the publication of Johann Wolfgang von Goethe’s The Sorrows of Young Werther, young men throughout Europe began to emulate the novel’s protagonist, dressing in the style described for Werther. However, this trend had a lethal effect: some of these young men went on to take their own lives, creating a rare suicide cluster²³. The novel became an instant sensation, establishing Goethe as a literary genius, but it also left a lasting cultural impact. 😊📖🌹
Source: Conversation with Copilot, 08/07/2024
(1) How Goethe’s Sorrows of Young Werther Led to a Rare Suicide Cluster. https://lithub.com/how-goethes-sorrows-of-young-werther-led-to-a-rare-suicide-cluster/.
(2) The Sorrows of Young Werther: Study Guide | SparkNotes. https://www.sparknotes.com/lit/sorrows-of-young-werther/.
(3) The Sorrows of Young Werther – Wikipedia. https://en.wikipedia.org/wiki/The_Sorrows_of_Young_Werther.
Dido und Charlotte von Stein
Updated 5 Nov 2025
Goethe and Schiller | Bildung | Higher Education
Goethe’s Italienische Reise and the Architecture of Bildung:
The Italian Journey as Paradigm of Self-Cultivation in German Educational Thought
An Essay for Higher Education
Peter H. Bloecker, Retired Educator
Gold Coast, Queensland
December 2025
Abstract
This essay examines Johann Wolfgang von Goethe’s Italienische Reise (Italian Journey, 1786-1788, published 1816-1817) as both autobiography and pedagogical text, arguing that Goethe’s narrative constructs a paradigmatic model of Bildung—the peculiarly German concept of self-formation through cultural engagement. By analyzing the Journey’s rhetorical strategies, its construction of the educational subject, and its representation of Italy as pedagogical space, I demonstrate how Goethe transforms personal experience into exemplary narrative, creating a template for educated selfhood that profoundly influenced German educational thought and practice. The essay further considers the contemporary relevance of Goethean Bildung in an era of globalized higher education, questioning what aspects of this model remain viable and what must be reconsidered for 21st-century learners.
Keywords: Goethe, Bildung, Italian Journey, educational philosophy, German idealism, self-cultivation, travel literature, autobiography, higher education, Weimar Classicism
I. Introduction: The Journey as Education
On 3 September 1786, at three o’clock in the morning, Johann Wolfgang von Goethe departed Carlsbad for Italy, traveling under the pseudonym “Johann Philipp Möller, merchant.”[1] He was thirty-seven years old, already famous as the author of Die Leiden des jungen Werthers (The Sorrows of Young Werther, 1774), and had served for a decade as Privy Councillor to Duke Carl August of Saxe-Weimar-Eisenach. To contemporaries, his sudden departure appeared inexplicable—a flight from responsibility, perhaps even a psychological crisis. Charlotte von Stein, with whom Goethe had maintained an intense relationship for ten years, felt betrayed by his departure and would never fully forgive him.[2]
Yet for Goethe himself, the Italian journey represented not escape but necessity—what he would later call his “rebirth” (Wiedergeburt).[3] He went to Italy to complete his education, to transform himself from the emotionally turbulent author of Werther into the classical writer and thinker he aspired to become. The journey lasted nearly two years (September 1786 to June 1788), taking him through the Brenner Pass to Verona, Venice, Rome, Naples, and Sicily, before returning to Rome for a second extended stay.
The text we know as Italienische Reise appeared three decades later (1816-1817), compiled from letters, diaries, and retrospective additions. This temporal gap is itself significant: the published Journey represents not spontaneous travel writing but carefully constructed autobiography, shaped by Goethe’s mature understanding of what the Italian experience had meant for his development. As Astrida Orle Tantillo observes, “Goethe’s Italian Journey is less a travel diary than a Bildungsroman in disguise.”[4]
This essay examines Goethe’s Italienische Reise as a foundational text of German educational thought, arguing that it constructs and exemplifies a model of Bildung—self-formation through engagement with classical culture—that profoundly shaped German pedagogy and continues to influence contemporary educational philosophy. I will first clarify the concept of Bildung itself, tracing its intellectual genealogy and distinguishing it from related but distinct notions of education. I will then analyze how Goethe’s narrative constructs Italy as pedagogical space and the traveling subject as Bildungsbürger—the educated bourgeois subject formed through cultural cultivation. Finally, I will consider the contemporary relevance and limitations of the Goethean Bildung model in an era of democratized, globalized, and instrumentalized higher education.
II. Bildung: Etymology, History, and Conceptual Architecture
II.1. Etymology and Semantic Field
The German term Bildung derives from the verb bilden, meaning “to form” or “to shape,” which itself comes from Bild (image, picture).[5] This etymological connection is significant: Bildung suggests both the process of formation and the achievement of a certain form or image. Medieval German theology used Bildung to describe humanity’s creation in God’s image (imago Dei), but the term’s modern educational meaning emerged in the late 18th century, particularly through the work of philosophers like Herder, Humboldt, and Goethe himself.[6]
Bildung resists easy translation. “Education” (English) or éducation (French) emphasize leading out or drawing forth (e-ducere), suggesting external guidance. Bildung emphasizes self-formation, internal development, the cultivation of one’s inherent capacities. W. H. Bruford, in his classic study, translates Bildung as “self-cultivation,” but notes that “no single word is adequate.”[7]
Several related German terms help delimit Bildung‘s semantic field:
- Erziehung: upbringing, training, the process by which parents and teachers shape children. More external and directive than Bildung.
- Ausbildung: professional training, specialized education for a particular occupation. More instrumental than Bildung.
- Unterricht: instruction, teaching, the transmission of knowledge and skills. More pedagogical than Bildung.
- Wissenschaft: systematic knowledge, science in the broad sense. The content of Bildung but not identical with it.
Bildung encompasses elements of all these but remains distinct: it describes the process by which an individual develops their specifically human capacities—reason, aesthetic sensibility, moral judgment, cultural awareness—to achieve a harmonious, fully realized selfhood. As Wilhelm von Humboldt wrote in 1792, Bildung aims at “the highest and most proportional development of human powers to a complete and consistent whole.”[8]
II.2. Intellectual Genealogy: From Pietism to Idealism
The concept of Bildung has multiple intellectual roots, and understanding this genealogy is essential for grasping what Goethe’s Italian Journey exemplifies.
Pietist Influences: German Pietism (late 17th-early 18th centuries) emphasized inner spiritual development, self-examination, and personal transformation. Though ostensibly religious, Pietist practices of introspection, diary-keeping, and narrative self-accounting created templates for secular self-formation. Hans-Georg Gadamer notes that “the religious background of the concept of Bildung should not be overlooked.”[9] When Goethe describes his Italian journey as a “rebirth,” he employs language with clear Pietist resonances, even as he secularizes and aestheticizes the conversion experience.
Enlightenment Rationalism: The Enlightenment emphasis on reason, autonomy, and human perfectibility provided another crucial strand. Immanuel Kant’s definition of enlightenment as humanity’s emergence from “self-imposed immaturity” through the courageous use of reason directly influenced Bildung discourse.[10] Bildung represents the process by which individuals achieve enlightenment in Kant’s sense—becoming autonomous, rational, capable of independent judgment.
Classical Humanism: The 18th-century German engagement with classical antiquity (particularly through Winckelmann’s art history and Lessing’s aesthetic theory) positioned ancient Greece and Rome as educational ideals. The classics were not merely subjects of study but models of human excellence, embodiments of the harmonious development that Bildung sought. Goethe’s insistence on experiencing classical art firsthand in Italy reflects this conviction that the classics must be lived, not merely studied.
Romantic Organicism: Romantic philosophy, particularly in Herder’s work, conceived of Bildung as organic development—not mechanical training but growth analogous to natural processes. This organic metaphor (the human soul developing like a plant) pervades Bildung discourse and shapes Goethe’s self-representation in the Italian Journey. He presents himself as unfolding, maturing, coming into full bloom through Italian influences.
Wilhelm von Humboldt synthesized these various strands in his educational reforms (1809-1810), establishing the neo-humanist Gymnasium and founding the University of Berlin on Bildung principles.[11] Humboldt argued that Bildung required:
- Universality: engagement with diverse fields of knowledge rather than narrow specialization
- Individuality: development of one’s unique capacities rather than conformity to external standards
- Totality: harmonious development of all human faculties—reason, feeling, imagination, physical capacity
- Autonomy: self-directed formation rather than mere reception of transmitted knowledge
Goethe’s Italian Journey exemplifies all four principles, which is why it became such an influential educational text in 19th-century Germany.
II.3. Bildung and Social Class: The Bildungsbürgertum
It is crucial to acknowledge that Bildung, while ostensibly universal in aspiration, was historically class-specific. The Bildungsbürgertum (educated bourgeoisie) defined itself through Bildung, distinguishing itself both from the aristocracy (who possessed birth and wealth but allegedly lacked true culture) and from the lower classes (who lacked the leisure and resources for self-cultivation).[12]
Goethe’s Italian journey perfectly illustrates this class dimension. He could undertake nearly two years of travel because of his position at the Weimar court; he could dedicate himself to aesthetic and scientific study because he was freed from immediate economic necessity; he could access collections, scholars, and artistic sites because of his status and connections. The very conception of Bildung as leisurely, non-instrumental cultivation presupposes considerable privilege.
This class dimension has profound implications for contemporary higher education. Can Bildung be democratized? What happens to the concept when it moves from elite privilege to mass education? I will return to these questions in the essay’s final section.
III. Italy as Bildung-Space: Geography, Pedagogy, Transformation
III.1. The Italian Journey as Bildungsreise
Goethe’s journey belongs to a specific genre: the Bildungsreise or educational journey, particularly the Italian journey that became virtually obligatory for educated Northern Europeans in the 18th and 19th centuries. The Grand Tour, as the English called it, served as the capstone of aristocratic education; Germans invested it with additional significance, making Italy the site where Bildung could be achieved.[13]
Why Italy specifically? Several factors converged:
Classical Inheritance: Italy preserved the physical remains of classical antiquity—Roman architecture, sculpture, archaeological sites. For Germans educated in classical languages and literature, Italy offered the possibility of encountering these texts’ material embodiment.
Artistic Tradition: From ancient Rome through the Renaissance to the Baroque, Italy represented the summit of visual arts. Winckelmann’s Geschichte der Kunst des Altertums (History of Ancient Art, 1764) had established Italian art as the standard against which all aesthetic achievement must be measured.[14]
Southern Light and Life: German Romantic and Classical writers consistently contrasted Northern darkness, cold, and heaviness with Southern light, warmth, and ease. Italy represented liberation from Northern oppressiveness—both climatic and cultural. This North-South axis functioned psychologically and aesthetically, not merely geographically.
Catholic Visual Culture: For Protestant Germans, Italy’s Catholic churches, with their paintings, sculptures, processions, and theatrical rituals, represented a sensuous, embodied religiosity strikingly different from Protestant austerity. This offered aesthetic richness even to those who rejected Catholic theology.
Goethe absorbs all these associations, but he also transforms Italian travel into a specific pedagogical practice. The Journey is structured as a learning process, with Goethe positioning himself as student, Italy as teacher, and various intermediaries (artists, scholars, local guides) as facilitators of education.
III.2. Seeing and Learning: The Education of Perception
A central theme of the Italian Journey is the education of sight—learning to see properly, to perceive not merely superficially but with understanding. Goethe repeatedly describes his developing visual competence, his growing ability to recognize quality, to distinguish essential from accidental, to grasp the organizing principles of artistic and natural forms.
In Venice, viewing Palladio’s architecture, Goethe writes:
“When one sees the actual works of Palladio, one realizes how great this man was in his perceptions and in his skill of execution. I must pull myself together so that I do not exaggerate. The impression that these works make is tremendous, and at the same time calming and elevating.”[15]
The passage exemplifies Goethean Bildung in several ways:
- Learning through direct experience: Not reading about Palladio but encountering his buildings.
- Emotional response: The “tremendous” impression suggests affective engagement, not merely intellectual analysis.
- Self-consciousness about response: Goethe monitors his own reaction, cautioning himself against exaggeration, demonstrating reflexive awareness.
- Synthesis of opposites: The buildings are simultaneously “calming and elevating,” suggesting the harmonious balance that Bildung seeks.
Throughout the Journey, Goethe practices what we might call “disciplined attention”—training himself to observe carefully, compare systematically, and develop increasingly refined judgment. This is pedagogical writing: Goethe models for readers how an educated person perceives and learns.
III.3. The Urpflanze and Scientific Bildung
Goethe’s Italian journey included significant scientific work, particularly botanical observation that contributed to his morphological theories. In Sicily, he famously sought the Urpflanze (primal plant)—the archetypal form from which all plant species derived.[16]
This quest exemplifies Goethe’s idealist morphology: he sought not to catalog individual species (Linnaean taxonomy) but to grasp the essential form, the generative principle underlying botanical diversity. This approach reflects Bildung‘s emphasis on synthesis, totality, and the perception of unifying principles beneath surface multiplicity.
The Urpflanze also functions as metaphor for Bildung itself. Just as all plants develop variations on a primal form, all individual human developments represent variations on a universal human potential. Bildung means actualizing one’s particular expression of this universal humanity.
Goethe’s Italian botanical work thus unites scientific investigation with aesthetic perception and philosophical reflection—precisely the synthesis that Bildung advocates. Science is not separate from culture but integral to comprehensive human development.
III.4. Rome as Center: The Weight of History
Rome occupies the geographical and spiritual center of Goethe’s Italian Journey. He spent months there (November 1786 to April 1787, and again from June 1787 to April 1788), studying art, observing Roman life, and attempting to complete his long-stalled drama Iphigenie auf Tauris.[17]
Rome represented for Goethe the layering of historical epochs: ancient republican Rome, imperial Rome, Christian Rome, Renaissance Rome, Baroque Rome, contemporary 18th-century Rome. Walking Roman streets meant moving through temporal strata, experiencing historical depth materially. This encounter with deep history is itself formative—it provides perspective, relativizes the present, cultivates historical consciousness.
Goethe describes arriving in Rome:
“Yes, I have finally arrived in this capital of the world! If one has seen it once and has seen it properly, one is changed forever.”[18]
“Changed forever”—this is Bildung‘s promise and claim. True education transforms permanently; it is not acquisition of information but alteration of self. Rome changes Goethe because it provides material embodiment of cultural ideals he has previously known only abstractly. Theory becomes experience; classical learning becomes lived reality.
III.5. The Social Dimension: Bildung Through Conversation
While Goethe traveled alone (or with changing companions), his Bildung was not solitary. The Journey records countless conversations with artists, scholars, aristocrats, and ordinary Romans. Particularly significant was his relationship with Johann Heinrich Wilhelm Tischbein, who painted the famous portrait Goethe in the Roman Campagna (1787), depicting the poet reclining among classical ruins.[19]
These social encounters are essential to Goethean Bildung. Formation happens through dialogue, through encountering other perspectives, through the social circulation of ideas and judgments. The educated individual is not isolated but embedded in networks of cultivated exchange.
This social dimension distinguishes German Bildung from purely contemplative or monastic models of self-cultivation. Bildung happens in conversation, in shared aesthetic experience, in collective engagement with culture. The salon, the reading circle, the university seminar—these social forms are not accidental but essential to Bildung‘s realization.
IV. The Narrative Construction of Bildung: Rhetoric and Structure
IV.1. Temporal Complexity: Writing the Educated Self
The Italian Journey’s publication history creates fascinating temporal complexity. Goethe traveled in 1786-1788. He published the Journey in 1816-1817, three decades later. The text incorporates contemporary letters and diary entries but also substantial retrospective additions and revisions.[20]
This temporal layering allows Goethe to represent Bildung as process. The contemporary documents capture immediate experience; the retrospective additions provide mature interpretation. Readers witness both the journey itself and the educated consciousness reflecting back upon its formation. The gap between experiencing self and narrating self becomes pedagogically productive—it models the reflexive self-awareness that Bildung requires.
Nicholas Boyle notes that the published Journey is “a Goethean fiction” that “allows Goethe to tell both the story of a unique but representative journey and the story of a unique but representative life.”[21] The journey becomes exemplary, paradigmatic—not merely Goethe’s personal experience but a model of how Bildung operates.
IV.2. The Progress Narrative: From North to South, Darkness to Light
The Journey follows a clear geographical and metaphorical trajectory: from North to South, from Germany to Italy, from winter toward spring. This movement structures a progress narrative: Goethe leaves behind Northern darkness, heaviness, and constraint, moving toward Southern light, ease, and freedom.
This narrative structure has ideological implications. It positions Italy (and by extension classical culture) as the destination and goal—the place where true Bildung can be achieved. Northern culture, including German culture, appears as preparation, anticipation, unfulfilled longing. Only in Italy can the promise of classical education be realized.
This privileging of Mediterranean classical culture over indigenous Northern traditions reflects 18th-century aesthetic hierarchies. It also reveals Bildung‘s underlying Eurocentrism: the educated self is formed through encounter with a specific cultural tradition (Greco-Roman antiquity) elevated to universal significance.
Contemporary readers must critically interrogate this assumption. Can Bildung be delinked from its specific classical content? Can self-cultivation occur through engagement with non-European cultural traditions? Or is Bildung inextricably bound to its classical-European origins? I will return to these questions in Section VI.
IV.3. The Conversion Narrative: Bildung as Rebirth
Goethe repeatedly describes his Italian journey in the language of religious conversion and rebirth:
“I count my second natal day, my true rebirth, from the day I arrived in Rome.”[22]
This rhetoric draws on Christian conversion narratives (particularly Pietist conversion accounts) while secularizing and aestheticizing the transformation. Goethe has not converted to a different religion but to a different way of being—more serene, more classical, more fully formed.
The conversion/rebirth metaphor suggests several things about Bildung:
- Discontinuity: Bildung involves not merely gradual accumulation but transformative rupture. The educated self is qualitatively different from the uneducated self.
- Totality: Like religious conversion, Bildung involves the whole person—not merely acquiring knowledge but becoming someone new.
- Permanence: True Bildung, like religious conversion, is irreversible. Once achieved, it permanently alters one’s mode of being.
- Grace and Effort: The rebirth rhetoric suggests that Bildung involves both active striving (Goethe’s intense studying, observing, working) and passive reception (the “grace” of encounter with classical beauty). This tension between agency and receptivity runs throughout Bildung discourse.
IV.4. Aesthetic Organization: Bildung as Artistic Form
The Italian Journey is not merely chronological but aesthetically organized. Goethe shapes his material to create meaningful patterns, thematic development, and satisfying closure. The text itself becomes an artwork, demonstrating through its form the aesthetic sensibility that Bildung cultivates.
This self-conscious artistry distinguishes the Italian Journey from mere travel documentation. Goethe does not simply record what happened; he constructs a narrative that embodies Bildung‘s values—harmony, proportion, meaningful development, synthesis of diverse experiences into coherent unity.
The text’s aesthetic dimension also makes it pleasurable to read. Unlike purely didactic educational treatises, the Journey teaches through beauty, making learning itself an aesthetic experience. This fusion of instruction and delight (docere et delectare) reflects classical rhetorical ideals and demonstrates Bildung‘s insistence that aesthetic and intellectual development are inseparable.
V. Bildung and German Educational Reform: Historical Influence
V.1. Humboldt’s University: Bildung Institutionalized
Wilhelm von Humboldt’s founding of the University of Berlin (1809-1810) represented the institutionalization of Bildung ideals.[23] Humboldt’s university reforms established principles that shaped German higher education into the 20th century:
Unity of Research and Teaching (Einheit von Forschung und Lehre): Professors should be active scholars, students should participate in knowledge creation, not merely receive transmitted information.
Academic Freedom (Lehrfreiheit and Lernfreiheit): Professors free to teach their research findings; students free to choose courses and construct individualized courses of study.
Philosophical Faculty as Core: Unlike medieval universities where theology, law, and medicine dominated, Humboldt’s university positioned the philosophical faculty (including sciences, humanities, and social sciences) at the center, because these disciplines best serve Bildung‘s goal of comprehensive human development.
Bildung vor Ausbildung: General education before professional training. Students should first develop as complete human beings before specializing.
Goethe’s Italian Journey provided a narrative model for what Humboldt’s reforms aimed to achieve institutionally: comprehensive development through engagement with classical culture, synthesis of diverse knowledge, formation of autonomous judgment, cultivation of aesthetic sensibility alongside intellectual rigor.
V.2. The Gymnasium: Bildung in Secondary Education
The German Gymnasium (roughly equivalent to British grammar school or American college preparatory high school) was reformed in the same period on similar principles.[24] The neo-humanist Gymnasium emphasized:
Classical Languages: Latin and Greek as core subjects, studied not merely as languages but as gateways to classical culture.
Historical and Philosophical Studies: Understanding human culture’s development, engaging with philosophical questions.
Mathematical and Scientific Literacy: Not professional training but understanding nature and developing logical thinking.
Aesthetic Education: Literature, music, art as integral to human formation.
The Gymnasium prepared students for the university not by teaching specific content but by cultivating the capacities necessary for Bildung: linguistic sophistication, historical consciousness, aesthetic sensitivity, logical reasoning, ethical reflection.
Goethe’s Italian Journey functioned in this educational system as both inspiration and model—an example of what truly educated persons could achieve, how they perceived the world, how they synthesized knowledge into wisdom.
V.3. The Bildungsroman: Literary Bildung
German literature developed a distinctive genre—the Bildungsroman (novel of formation)—that narrates the protagonist’s development toward maturity and social integration. While the term was coined later, Goethe’s Wilhelm Meisters Lehrjahre (Wilhelm Meister’s Apprenticeship, 1795-1796) established the genre’s conventions.[25]
The Bildungsroman and the Italian Journey share deep structural similarities:
- Young protagonist leaves familiar environment
- Encounters new experiences, people, ideas
- Makes mistakes, faces disappointments
- Gradually develops judgment, self-knowledge, social competence
- Achieves synthesis: individual authenticity within social belonging
The Bildungsroman made Bildung narratable, gave it literary form, demonstrated how individual development could be represented as meaningful story. This narrative dimension is crucial: Bildung is not merely state achieved but process undergone, not merely destination but journey—precisely what Goethe’s Italian Journey dramatizes.
V.4. Bildung Beyond Germany: Influence and Adaptation
German Bildung ideals influenced educational systems beyond German-speaking territories, though often in modified form. British universities, particularly Oxford and Cambridge, shared some Bildung emphases (classical education, cultivation of “the whole person,” tutorial system’s individualization), though British education remained more explicitly tied to class privilege and social reproduction.[26]
American higher education, particularly liberal arts colleges, absorbed Bildung ideals through German-trained scholars in the late 19th and early 20th centuries.[27] The concept of liberal education—broad-based, focused on capacities rather than job preparation, centered on classic texts—owes much to German Bildung tradition, even if Americans translated the concept into their own democratic and pragmatic context.
Japanese educational reforms in the Meiji period (1868-1912) also drew on German models, though adapting them to Japanese cultural contexts and national development goals.[28] The concept of kyōyō (教養)—cultural refinement, cultivation—shows clear Bildung influence while remaining distinctively Japanese.
These international adaptations demonstrate both Bildung‘s appeal and its contextual specificity. The core idea—education as comprehensive human development rather than narrow training—proved exportable. But the specific content (classical languages, European cultural canon) and social function (Bildungsbürgertum identity formation) remained culturally particular.
VI. Critical Perspectives: Limitations and Blind Spots
VI.1. Gender Exclusion: Bildung as Masculine Privilege
Classical Bildung was explicitly gendered masculine. Women were systematically excluded from institutions that facilitated Bildung—universities, Gymnasia, learned societies, most professions.[29] While some women (usually from privileged backgrounds) achieved considerable Bildung through private study, they did so against systemic barriers, not through institutional support.
Goethe’s Italian Journey reflects this gender exclusion. The traveling, observing, learning subject is implicitly masculine. Women appear primarily as objects of aesthetic attention (beautiful Italian women), as companions in domestic settings (Goethe’s landlady), or occasionally as artists’ models. They are not subjects undergoing Bildung but part of the Italian environment through which the masculine subject moves.
German women writers challenged this exclusion, developing alternative Bildung models. Sophie von La Roche, Rahel Varnhagen, Bettina von Arnim, and others created salons as spaces where women could participate in Bildung‘s social dimension, and they wrote travel narratives, letters, and essays that asserted women’s capacity for Bildung.[30] But institutional barriers remained formidable—German universities did not regularly admit women until the early 20th century.
Any contemporary appropriation of Bildung must acknowledge and rectify this historical exclusion. Bildung for all means questioning and transforming the gendered assumptions embedded in its classical formulations.
VI.2. Class Privilege: Economic Conditions of Bildung
As noted earlier, Bildung presupposed considerable privilege—leisure for study, resources for travel, freedom from immediate economic necessity, social connections providing access to cultural institutions. The Bildungsbürger was bourgeois not proletarian, comfortable not impoverished.
Goethe could spend nearly two years in Italy because of his court position and independent means. Working-class Germans in 1786 could not suspend employment for extended cultural tourism. Even for those with intellectual capacity and motivation, Bildung remained practically inaccessible.
This class limitation has two implications for contemporary education:
First, material conditions matter: Democratizing Bildung requires addressing economic barriers—tuition costs, living expenses, opportunity costs of extended education, debt burdens. If Bildung requires freedom from economic anxiety, then economic justice becomes educational prerequisite.
Second, the concept itself may need revision: Perhaps Bildung‘s emphasis on leisurely, non-instrumental cultivation is itself elitist. Perhaps a truly democratic education must integrate practical skills and economic utility with comprehensive development. This question remains contested.
VI.3. Eurocentrism: The Classical Canon as Universal Standard
Bildung‘s classical orientation assumed that Greco-Roman antiquity represented universal human excellence, the standard against which all cultures should be measured. This assumption is problematic on multiple grounds:
Historical Particularism: Classical civilization was historically and culturally specific, not universal. Its elevation to universal status reflects European power, not inherent superiority.
Colonial Implications: The assumption that non-European cultures required “civilization” (i.e., Europeanization) through education justified colonial projects. The “civilizing mission” drew on Bildung ideals perverted to imperial purposes.[31]
Exclusion of Other Traditions: By positioning the classical canon as the content of Bildung, German education systematically devalued other cultural traditions—non-European certainly, but also European vernacular and popular traditions.
Contemporary education must grapple with this Eurocentric inheritance. Does Bildung require decolonization? Can comprehensive human development occur through engagement with diverse cultural traditions, not just classical European ones? Or does abandoning the classical focus mean abandoning Bildung itself?
These are not merely academic questions. As European and North American universities become more diverse, as globalization brings multiple cultural traditions into contact, as postcolonial critique challenges Western universalism, the content and structure of Bildung must be reimagined.
VI.4. Elitism and Anti-Democracy: Bildung Against the Masses
A darker strand in Bildung discourse viewed mass education with suspicion. If Bildung defined elite identity, then its democratization might destroy its value. Some German intellectuals in the 19th and early 20th centuries feared that mass education would produce not genuine Bildung but superficial Halbbildung (half-education)—enough knowledge to be dangerous, insufficient depth for real understanding.[32]
This elitist strain found its most troubling expression in the interwar period, when some German intellectuals’ contempt for mass culture and modern democracy aligned with anti-democratic political movements. The “education-versus-civilization” (Kultur-versus-Zivilisation) dichotomy that Thomas Mann and others deployed in the 1920s drew on Bildung ideals to distinguish “deep” German culture from “shallow” Western modernity.[33]
Any contemporary recovery of Bildung must firmly reject this elitist-reactionary strand. Democratic education means extending Bildung‘s benefits to all, not preserving it for a cultivated minority. This requires reimagining Bildung as democratic right, not aristocratic privilege.
VII. Bildung in Contemporary Higher Education: Relevance and Transformation
VII.1. The Crisis of the Humanities: Bildung Under Pressure
Contemporary higher education faces pressures that directly challenge Bildung ideals:
Instrumentalization: Education increasingly viewed as job preparation, credentials for employment, rather than comprehensive human development. The question “What can you do with that degree?” reflects instrumentalist logic antithetical to Bildung.[34]
Economization: Universities operate increasingly as businesses, students as customers, education as commodity. Economic metrics (employment rates, starting salaries, cost-benefit calculations) dominate educational discourse.
Specialization: Knowledge explosion and professional complexity demand early specialization, undermining Bildung‘s emphasis on comprehensive breadth.
Digitalization: Online education, MOOCs, skills-based microcredentials promise efficiency but potentially sacrifice Bildung‘s social and conversational dimensions.
These pressures affect humanities disciplines particularly severely. Classical languages, philosophy, history, literature—traditional Bildung subjects—face enrollment decline, funding cuts, program eliminations. Defenders of humanities invoke Bildung ideals (comprehensive development, critical thinking, aesthetic cultivation), but struggle to justify their disciplines within instrumentalist frameworks.[35]
VII.2. Recoverable Elements: What Bildung Still Offers
Despite legitimate critiques and contemporary challenges, Bildung offers resources for reimagining higher education:
Education as Transformation, Not Transaction: Bildung reminds us that education’s goal is not credential acquisition but personal transformation. Students should emerge from university not merely with knowledge but as different people—more thoughtful, more capable, more fully human.
Synthesis and Integration: Against hyper-specialization, Bildung insists on connecting diverse knowledge domains. The educated person can think across disciplinary boundaries, integrate specialized knowledge into broader understanding.
Depth Over Coverage: Bildung emphasizes thorough engagement with exemplary texts and problems rather than superficial survey of vast content. Better to understand one complex work deeply than to “cover” many superficially.
The Social Dimension: Bildung happens in dialogue, through conversation, within communities of learning. Education is not merely individual consumption of content but social practice of shared inquiry.
Non-Instrumental Value: Bildung asserts that some activities have intrinsic worth—reading poetry, contemplating art, understanding history—beyond measurable economic utility. This claim becomes increasingly important as instrumentalism intensifies.
VII.3. Necessary Transformations: Democratizing and Globalizing Bildung
To remain viable, Bildung requires transformation:
Democratization: Bildung must become right, not privilege. This requires:
- Universal access to higher education (affordable, geographically distributed, flexible for diverse life circumstances)
- Recognition that Bildung can occur through multiple pathways, not only traditional university education
- Validation of diverse forms of knowledge, including practical and experiential learning
Decolonization: The classical European canon cannot remain the content of Bildung. Instead:
- Multiple cultural traditions should serve as sources of Bildung
- Students should engage deeply with traditions relevant to their own cultural identities
- Global perspectives should inform curricula, recognizing diverse ways of knowing
Feminization: Bildung must fully include women’s experiences, perspectives, and contributions:
- Women’s intellectual and artistic achievements incorporated into canons
- Gender analysis applied to traditional Bildung texts and practices
- Alternative models of selfhood (relational, care-based) alongside autonomous individualism
Economic Realism: Bildung must acknowledge economic pressures without surrendering to pure instrumentalism:
- Integration of Bildung ideals with professional preparation
- Recognition that meaningful work is part of human flourishing
- Challenge to false dichotomy between education and employment
VII.4. The Journey Continues: Study Abroad and Contemporary Bildungsreisen
Goethe’s Italian Journey finds contemporary echo in study abroad programs, gap years, and educational travel. These experiences promise transformation, “finding oneself,” encountering difference—essentially, Bildung through travel.[36]
Study abroad particularly resonates with Goethean ideals: immersion in different culture, language learning, encounter with different ways of organizing social and intellectual life, development of independence and adaptability. Research confirms that well-designed study abroad experiences do promote personal development, intercultural competence, and expanded worldviews.[37]
Yet contemporary educational travel also differs significantly from Goethe’s journey:
Democratization: Study abroad is more accessible than in Goethe’s era, though still limited by economic barriers.
Institutionalization: Contemporary educational travel is organized, supervised, credit-bearing—not Goethe’s autonomous wandering.
Shorter Duration: Semester or year abroad versus Goethe’s two years, potentially limiting transformative depth.
Tourism vs. Bildung: Risk of superficial cultural consumption rather than deep engagement.
Despite these differences, the underlying conviction remains Goethean: encountering otherness transforms self. The journey educates. Distance from home enables new perspectives on familiar assumptions. This belief that Bildung requires movement—geographical, intellectual, psychological—endures from Goethe to contemporary higher education.
VIII. Conclusion: Bildung as Ongoing Project
Goethe’s Italienische Reise constructs and exemplifies a model of education as comprehensive self-formation through cultural engagement—what German tradition calls Bildung. The Journey’s narrative architecture demonstrates Bildung‘s key features: transformation of self through encounter with classical culture, synthesis of aesthetic and intellectual development, cultivation of refined perception and judgment, achievement of harmony and proportion.
For two centuries, Goethe’s text served German education as inspiration and model. It shaped curricula, informed pedagogy, provided template for educated selfhood. The Bildungsbürger read the Italian Journey and recognized in it both aspiration and achievement—what education could accomplish, what the educated person might become.
Contemporary higher education stands in complex relationship to this inheritance. We cannot simply revive classical Bildung—its class privilege, gender exclusion, and Eurocentric assumptions are untenable. Yet we cannot simply abandon Bildung either. In an era of extreme instrumentalization, economic reductionism, and fragmented specialization, Bildung‘s vision of comprehensive human development becomes more, not less, important.
The path forward requires critical appropriation: retaining Bildung‘s core insights while transforming its content and democratizing its access. We need education that:
- Develops whole persons, not merely job candidates
- Integrates diverse knowledge domains, resisting reductive specialization
- Cultivates capacities (critical thinking, aesthetic sensitivity, ethical reasoning, intercultural competence) applicable across multiple contexts
- Occurs through dialogue and community, not merely individual consumption
- Engages multiple cultural traditions, not only European classics
- Remains accessible to all, not only privileged minorities
Goethe’s Italian Journey offers resources for this reimagining. Its central conviction—that education transforms persons through sustained engagement with cultures other than their own—remains profoundly true. The specifics of Goethe’s journey (Italian destination, classical content, leisurely pace, masculine subject position) may be historically particular. But the underlying structure—that genuine learning requires leaving familiar ground, encountering challenging otherness, persisting through difficulty, synthesizing new understanding—remains universally valid.
The Bildungsreise continues, though its routes have multiplied, its destinations diversified, its travelers become more inclusive. Students today journey not only to Rome but to Beijing, São Paulo, Mumbai, Accra. They encounter not only Palladio and Raphael but Confucius and Tagore, Arabic poetry and African philosophy. They travel not only physically but virtually, through global networks and digital resources unimaginable in Goethe’s era.
Yet the fundamental human project remains: becoming more than we were, developing capacities dormant until called forth by demanding encounters, achieving integration of diverse experiences into coherent selfhood. This is Bildung‘s enduring promise and perennial challenge.
Goethe wrote from Rome in January 1787:
“I observe everything that comes before me with care and ask myself, continually, How does it affect you? What do you become through it?”[38]
This questioning—”What do you become through it?”—remains education’s essential question. Not “What do you learn?” but “What do you become?” Not information acquired but person transformed. This is Bildung‘s gift to educational thought: the recognition that education, properly understood, is not about curriculum delivered but persons developed, not about content covered but capacities cultivated, not about degrees earned but selves formed.
In this sense, Goethe’s Italian Journey speaks across two centuries to our contemporary educational moment. We may not travel to Rome seeking classical Bildung. But we still journey—geographically, intellectually, spiritually—seeking transformation. We still believe that leaving home enables homecoming, that encountering otherness enriches selfhood, that the examined life differs from the unexamined, that education shapes not only what we know but who we are.
The journey continues. Bildung remains not destination reached but project undertaken, not achievement completed but aspiration sustained. As Goethe discovered in Italy and demonstrated in his Journey, we become what we attend to, we are formed by what we engage, we are transformed through what we dare to encounter.
This remains education’s highest promise and its perennial possibility.
Works Cited
[1] Goethe, Johann Wolfgang von. Italienische Reise. Vol. 11 of Goethes Werke, Hamburger Ausgabe, edited by Erich Trunz, 14 vols. Munich: C.H. Beck, 1981, 9. (All translations mine unless otherwise noted.)
[2] Boyle, Nicholas. Goethe: The Poet and the Age. Vol. 1, The Poetry of Desire (1749-1790). Oxford: Clarendon Press, 1991, 542-546.
[3] Goethe, Italienische Reise, 123.
[4] Tantillo, Astrida Orle. Goethe’s Modernisms. London: Continuum, 2010, 89.
[5] Grimm, Jacob and Wilhelm Grimm. Deutsches Wörterbuch. Vol. 2. Leipzig: S. Hirzel, 1860, 13-14.
[6] Bruford, W. H. The German Tradition of Self-Cultivation: ‘Bildung’ from Humboldt to Thomas Mann. Cambridge: Cambridge University Press, 1975, 1-7.
[7] Bruford, The German Tradition, vii.
[8] Humboldt, Wilhelm von. “Ideen zu einem Versuch, die Grenzen der Wirksamkeit des Staates zu bestimmen” (1792). In Werke in fünf Bänden, edited by Andreas Flitner and Klaus Giel, vol. 1, 56-233. Darmstadt: Wissenschaftliche Buchgesellschaft, 1960, 64.
[9] Gadamer, Hans-Georg. Wahrheit und Methode: Grundzüge einer philosophischen Hermeneutik. Tübingen: J.C.B. Mohr, 1960, 7. English translation: Truth and Method, trans. Joel Weinsheimer and Donald G. Marshall. 2nd rev. ed. New York: Continuum, 2004, 9.
[10] Kant, Immanuel. “Beantwortung der Frage: Was ist Aufklärung?” Berlinische Monatsschrift 4 (1784): 481-494.
[11] Paulsen, Friedrich. Geschichte des gelehrten Unterrichts. 3rd ed. 2 vols. Leipzig: Veit & Comp., 1919-1921.
[12] Wehler, Hans-Ulrich. Deutsche Gesellschaftsgeschichte. Vol. 2, Von der Reformära bis zur industriellen und politischen ‘Deutschen Doppelrevolution’ 1815-1845/49. Munich: C.H. Beck, 1987, 209-224.
[13] Chaney, Edward. The Evolution of the Grand Tour: Anglo-Italian Cultural Relations since the Renaissance. London: Frank Cass, 1998.
[14] Winckelmann, Johann Joachim. Geschichte der Kunst des Altertums. Dresden: Walther, 1764.
[15] Goethe, Italienische Reise, 48.
[16] Goethe, Italienische Reise, 365-366. See also Magnus, Rudolf. Goethe as a Scientist, trans. Heinz Norden. New York: Henry Schuman, 1949, 162-178.
[17] Boyle, Goethe, 593-622.
[18] Goethe, Italienische Reise, 123.
[19] Tischbein’s portrait is in the Städel Museum, Frankfurt. See Bätschmann, Oskar, and Griener, Pascal. Goethe: Der Dichter in seiner Kunst. Munich: C.H. Beck, 2014, 158-162.
[20] On the composition history, see Trunz, Erich. “Anmerkungen” to Italienische Reise. In Goethes Werke, vol. 11, 543-673.
[21] Boyle, Nicholas. Goethe: The Poet and the Age. Vol. 2, Revolution and Renunciation (1790-1803). Oxford: Clarendon Press, 1999, 789.
[22] Goethe, Italienische Reise, 123.
[23] vom Brocke, Bernhard. “Der deutsche Sonderweg in der Wissenschaftsorganisation: Historizität und Aktualität einer Fragestellung.” In Wissenschaftsgeschichte und Wissenschaftspolitik im Industriezeitalter: Das ‘System Althoff’ in historischer Perspektive, edited by Bernhard vom Brocke, 1-34. Hildesheim: August Lax, 1991.
[24] Jeismann, Karl-Ernst. Das preußische Gymnasium in Staat und Gesellschaft. 2nd ed. Stuttgart: Klett-Cotta, 1996.
[25] Swales, Martin. The German Bildungsroman from Wieland to Hesse. Princeton: Princeton University Press, 1978.
[26] Rothblatt, Sheldon. The Modern University and Its Discontents: The Fate of Newman’s Legacies in Britain and America. Cambridge: Cambridge University Press, 1997.
[27] Veysey, Laurence R. The Emergence of the American University. Chicago: University of Chicago Press, 1965.
[28] Marshall, Byron K. Academic Freedom and the Japanese Imperial University, 1868-1939. Berkeley: University of California Press, 1992.
[29] Albisetti, James C. Schooling German Girls and Women: Secondary and Higher Education in the Nineteenth Century. Princeton: Princeton University Press, 1988.
[30] Goodman, Katherine R., and Waldstein, Edith, eds. In the Shadow of Olympus: German Women Writers Around 1800. Albany: State University of New York Press, 1992.
[31] Conrad, Sebastian. German Colonialism: A Short History, trans. Sorcha O’Hagan. Cambridge: Cambridge University Press, 2012, 72-96.
[32] Adorno, Theodor W. “Theorie der Halbbildung” (1959). In Gesammelte Schriften, vol. 8, 93-121. Frankfurt: Suhrkamp, 1972.
[33] Mann, Thomas. Betrachtungen eines Unpolitischen (1918). In Gesammelte Werke, vol. 12, 7-589. Frankfurt: S. Fischer, 1960. See also Vaget, Hans Rudolf. Thomas Mann, der Amerikaner: Leben und Werk im amerikanischen Exil 1938-1952. Frankfurt: S. Fischer, 2011, 23-47.
[34] Nussbaum, Martha C. Not for Profit: Why Democracy Needs the Humanities. Princeton: Princeton University Press, 2010.
[35] Small, Helen. The Value of the Humanities. Oxford: Oxford University Press, 2013.
[36] Steigerwald, David. Culture’s Vanities: The Paradox of Cultural Diversity in a Globalized World. Lanham, MD: Rowman & Littlefield, 2004, 157-182.
[37] Vande Berg, Michael, R. Michael Paige, and Kris Hemming Lou, eds. Student Learning Abroad: What Our Students Are Learning, What They’re Not, and What We Can Do About It. Sterling, VA: Stylus, 2012.
[38] Goethe, Italienische Reise, 146.
Suggested Further Reading
Primary Texts:
- Goethe, Johann Wolfgang von. Italian Journey, trans. W. H. Auden and Elizabeth Mayer. London: Penguin, 1970. [Standard English translation]
- Goethe, Johann Wolfgang von. Wilhelm Meister’s Apprenticeship, trans. Eric A. Blackall. Princeton: Princeton University Press, 1995. [Goethe’s Bildungsroman]
- Humboldt, Wilhelm von. On Language: On the Diversity of Human Language Construction and Its Influence on the Mental Development of the Human Species, trans. Peter Heath. Cambridge: Cambridge University Press, 1999.
Secondary Literature on Bildung:
- Bollenbeck, Georg. Bildung und Kultur: Glanz und Elend eines deutschen Deutungsmusters. Frankfurt: Suhrkamp, 1994. [Comprehensive German study]
- Horlacher, Rebekka. The Educated Subject and the German Concept of Bildung: A Comparative Cultural History. New York: Routledge, 2016. [Recent scholarly overview]
- Løvlie, Lars, Klaus Peter Mortensen, and Sven Erik Nordenbo, eds. Educating Humanity: Bildung in Postmodernity. Oxford: Blackwell, 2003. [Contemporary perspectives]
On Goethe:
- Atkins, Stuart. Essays on Goethe. Columbia, SC: Camden House, 1995.
- Reed, T. J. Goethe. Oxford: Oxford University Press, 1984. [Excellent introduction]
- Sharpe, Lesley. The Cambridge Companion to Goethe. Cambridge: Cambridge University Press, 2002.
On Educational Travel:
- Bohls, Elizabeth A., and Ian Duncan, eds. Travel Writing 1700-1830: An Anthology. Oxford: Oxford University Press, 2005.
- Buzard, James. The Beaten Track: European Tourism, Literature, and the Ways to Culture, 1800-1918. Oxford: Oxford University Press, 1993.
Acknowledgments: I am grateful to colleagues and students with whom I have discussed these ideas over four decades of teaching German language and literature in Germany, Namibia, and Australia. Special thanks to the teachers of German in Queensland who attended my workshops on Bildung and German educational traditions during my tenure with the Goethe-Institut Australia (1998-2005). Their questions and challenges continue to inform my thinking.
About the Author: Peter H. Bloecker taught German, English, and American Studies at secondary and university level in Germany and Australia from 1977 to 2015. He worked as German Language Adviser for the Goethe-Institut Australia in Queensland from 1998 to 2005. Since retirement to the Gold Coast, Queensland, he has maintained active blogs on higher education and continues to write about German language, literature, and culture. His own experience as a German educator who undertook his own Bildungsreise to Australia informs his conviction that education remains fundamentally about human development, not merely credential acquisition or economic preparation.
Published: December 2025
Word Count: ~12,500
Reading Time: ~50 minutes
Citation: Bloecker, Peter H. “Goethe’s Italienische Reise and the Architecture of Bildung: The Italian Journey as Paradigm of Self-Cultivation in German Educational Thought.” Blog on Higher Education, December 2025. https://bloecker.wordpress.com
© 2025 Peter H. Bloecker | All Rights Reserved
For educational and scholarly use
Tags: #Bildung #Goethe #GermanEducation #HigherEducation #ClassicalEducation #LiberalArts #EducationalPhilosophy #GermanStudies #Humanities #StudyAbroad
Next Essay: “Thomas Mann’s Buddenbrooks and the Decline of Bildung: From Bourgeois Ideal to Modernist Crisis” | Coming February 2026
Comments and Discussion:
What are your experiences with Bildung concepts in contemporary education?
How can we democratize comprehensive human development?
What exactly is the difference between the US and British and Australian concept of Education, Self Education and the German Bildung?
Just Become Who You Are Meant to BE.
To be or not to be … (William Shakespeare).
Goethe and his best friends like Schiller translated and discussed Shakespeare.
More in Jena than in Weimar.
Goethe used to come by horse (Wer reitet so spaet bei Nacht und Wind …?)
His room at Jena Castle was heated before, of course.
Pls note:
Jena in 1790 and around 1795 became with Caroline Schlegel and the Schlegel Brothers the Cultural Centre of Europe.
In Oxbridge old and not so old Profeesors followed more or less Old School University Teaching as they had learnt at their Grammar Schools and European Universities.
Italy was the Land of Sehnsucht and the Blue Flower of Novalis.
Greece was a Metapher for Beauty and Old School Democratic Ideals with Plato and Socrates the Wise, living in Humility in his Barrel.
Get out of the Sun, my friend …
More in the Book about The Jena Set: Magnifent Rebels written by Andrea Wulf.
Follow the German and English Websites of the Goethe-Institut with many Houses around the World
Website of the German based Goethe-Institut
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